Rider to the Sea as a Tragedy

Riders to the ocean as a Tragedy Drama must excite, startle, jolt and shake us. Such effects cannot be produced by a buncoact which is missing in conflict. The conflict in a sad run into may be amidst hu globe beings pulling in different directions, between a lawsuit and the environment in which he finds himself or the society of which he is a member. Riders to the sea succeeds in representing hu troops sufferings which raises pity and business concern among us and makes us to decide that the play is a great(p) one in its tragic appeal. The tragic theme of Riders to the ocean moves round with the deep pathos of a mother Maurya.The tragedy of the play is simple-minded and straight- forward, but sublime and universal in its penetrative appeal. The play brings out the break tragedy of humanity, pitted against the violent channel on of a cold, unrelenting, natural element- the sea. The sea assumes here(predicate) almost the role of destiny and runs implemental to huma n suffering and death. Riders to the sea is thus a great tragedy in its representation of human suffering and physic appeal. in that location are two views on the tragic vision of tone. One is that man is the play- thing of inscrutable power c all in alled fate and another is that character is responsible for the tragic end.In Greek tragedies, tragic fate for the heroes is predetermined. Oedipus and Anti departed become obstinate and tyrannical. Their tragedy is due to their over confidence in their respective attitudes. In this light, we see Riders to the Sea as a suitable combination of Greek and Shakespearean tragedies. The sea is a force of temper over which no consistency has any control. debate the sea, and opposed by the sea, are the members of the companionship living on the island which serves as the background signal for this play. The human opponents of the sea in this play are Bartley, his sisters Cathleen and Nora, and his mother Maurya.These human opponents depart on three levels. Bartley must cheat his horses at the Galway fair. His sisters seem to have a sacrificial prophetic function. Maurya speaks two great elegies for the dead, and the dead are not just members of her own family, not only members of the island company of Aran, but of the whole world. Mans conflict with the sea, and womans loss, is first it is everywhere in myth, legend, history, from the Greek Anthology to Lycidas. The the great unwashed living on the Aran Islands must hang in constantly aware of the sea, its menace, its moods, and also its ease because it is both the giver and the taker of life.It is the giver of life because the people of the island earn their livelihood partly by catching fish from the sea and collecting wea-weed from the sea-shore and it is the taker of life because people survive in it. The conflict between the sea and the human characters is indicated at the very rise when we are told active the drowning of a man in the far north a nd or so the shirt and the stocking which were got off that mans body. If these items of clothing belonged to Mauryas son. Michael, then she is to be told that he had got a clean burial. olibanum, when the play opens, the sea has already robbed Maurya of one of her sons. The side by side(p) step is Bartleys decision to baffle over to the mainland in order to take a couple of horses. Cathleen feels have-to doe with virtually the weather on the sea, especially when Nora informs her that thither is a great roaring in the west, and that it will get worse when the feed has turned to the wind. Maurya feels even more than concerned about the weather, and she wants that Bartley should not go this daytime when the wind is raising the sea and in that respect was a star up against the mope during the night.As Bartley is firm about going, Maurya makes the gloomy consider that he would be drowned like the rest. When he is actually gone, she wails Hes gone now, and when the black night is falling Ill have no son go forth me in the world. The climax comes when dead body of Bartley is brought to the house and when Cathleen is told by one of the tour woman that Bartley had been knocked down into the sea by the grey pony and that he had been sweep away by a large wave towards the white rocks. On reading of Bartleys drowning, Maurya appropriately says Theyre all gone now, and there isnt anything more the sea can do to me. There will be no read for Maurya to feel any anxiety about anybody in future because the sea has already taken away from her all her men-folk Thus the sea proves to be a professional in this everlasting struggle between man and the sea. Maurya is, of course, the great loser in the battle, but she is not to be regarded as a single woman who has to bear the brunt of the sea. Maurya represents the whole community living on this island.